MaxxMusic presents
KATIE PRUITT – The Time Wasn’t Wasted Tour
With opener Jess Nolan.
Fri, Sept 5 • 8 pm
Katie Pruitt is living proof of music’s power to transform the way we experience the world. Soon after the arrival of her acclaimed debut Expectations—a 2020 LP on which she documented her journey in growing up queer in the Christian South—the Georgia-bred singer/songwriter/guitarist heard from countless listeners that her songs had impacted their lives on an elemental level. “A lot of people told me how the record helped them navigate their relationships with family—I even had some parents tell me that it helped them understand their children better,” she recalls. With her sophomore album Mantras, the Nashville-based musician now looks inward to explore such matters as gender identity, self-compassion or the lack thereof, and the struggle for peace in times of chaos and uncertainty—ultimately arriving at a body of work that speaks to the strength in undoing harmful self-beliefs and fully living your truth.
“One of the big themes of this record is the idea of building a home inside yourself rather than seeking it in others,” says Pruitt. “Over the past couple of years, I’ve tried to change the way I speak to myself and turn my negative internal dialogue into a kinder voice, because that ends up influencing everything: the kindness starts with us and ripples outward into the world. Mantras is about finding that light within ourselves instead of falling into the trap of chasing validation from our parents or friends or religion or social media.”
Mainly produced by Collin Pastore and Jake Finch (both known for their work with boygenius and Lucy Dacus), Mantras delves deeper into the empathetic storytelling and incisive self-examination that defined Expectations—an album that earned Pruitt a nomination for Emerging Artist of the Year from the Americana Music Association, in addition to drawing praise from major outlets like Rolling Stone (who hailed Pruitt as a “dynamic new presence”) and Pitchfork (who noted that “[h]er songs are patient but determined, navigating serious subjects with quiet familiarity”). This time around, Pruitt sets her lived-in lyricism to a folk-leaning sound informed by her love for the more experimental edges of indie-rock, stacking her songs with plenty of propulsive grooves and overdriven guitars. “Most of this record came from Collin, Jake, and I tracking everything in their studio—this tiny little shed filled with a whole bunch of fun musical toys,” says Pruitt, who also created the album with musicians like string arranger Laura Epling (Orville Peck, Spencer Cullum). “We built the tracks from the ground up as opposed to cutting everything live, which gave us so much more room to let the songs evolve and become what they needed to be.”
